On Martin's Register And Ideology

Bateman (1998: 21):

Networks are set out for each of the three main metafunctional regions of register — ‘mode’, ‘tenor’ and ‘field’ — and collections of lexicogrammatical realisations for these alternatives are also proposed. This provides a ‘semiotic’ view on context and context’s construction of many aspects of our reality and provides the ground for the book’s concluding sections on the stratum of ideology, again construed semiotically as a means of relating distinct genres and their use across a culture.

Blogger Comments:

[1] To be clear, in SFL theory, mode, tenor and field are the metafunctional dimensions of the culture as semiotic system.  These systems of culture are realised in the systems of language.  Different registers of language realise different configurations of features of these systems of culture.  As previously explained, Martin confuses these systems of culture (context) with the sub-systems of the language that realise them (registers).

[2] This is misleading.  On the one hand, even on Martin's model, systems of mode, tenor and field should specify realisations in discourse semantics, not lexicogrammar, and on the other hand, not one of Martin's "register" networks features any realisation statements, discourse semantic or otherwise.

[3] Here Bateman is accepting Martin's claim without question.  Context was conceived by Halliday as a semiotic system.  Martin, however, repeatedly misinterprets Halliday's context as material; see, for example:

• Confusing Context With Co-Text And Material Setting
• Confusing Material Setting And Context Of Situation
• Misunderstanding Orders Of Experience
• Misconstruing Context As Language And Material Setting Instead Of Culture
• Blurring Context And Material Setting
• Blurring Distinctions
• Self-Contradiction
• Confusing Orders Of Experience

[4] Here Bateman confuses the construal of experience as ideational meaning ("reality") with the culture construed by the linguistic system (context).

[5] Here Bateman fails to notice that Martin misinterprets Bernstein's coding orientation as ideology.  See, for example:

• Preparing To Misconstrue Bernstein's Codes As Ideology
• Misconstruing Bernstein's Coding Orientation As Ideology
• Discursive Power And The Evolutionarily Necessary Resolution Of Semiotic Tension Through Dynamic Openness
• Addressing "The Central Problem In Marxist Theory" By Adding A More Abstract Level
• Why The Argument For A Stratum Of Ideology Is Invalid

On Modelling Context As Register And Genre

Bateman (1998: 20-1):

Finally, in Chapter 7 [pp493-590], Martin presents in detail the motivations for the proposal set out in, for example, Martin (1985) and Ventola (1988) that ‘context’ best be modelled as consisting of two distinct strata: register and genre. Both of these are then realised in the less abstract ‘plane’ of language consisting, as we have seen, of three strata: discourse semantics, lexicogrammar, and phonology. The chapter thus draws together results from many years of inquiry into the social situatedness of the linguistic system and the detail and examples given serve as a very useful introduction to the area and its points of debate.

Blogger Comments:

[1] To be clear, not just in SFL theory, 'register' refers to a functional variety of language, and 'genre' refers to a type of text.  In SFL, these are theorised as two views on the same phenomenon:

• language as register is language as genre (text type) viewed from the system pole of the cline of instantiation, whereas
• language as genre (text type) is language as register viewed from the instance pole of the cline of instantiation.

The place of register/genre (text type) in the architecture of SFL theory is identified in the following matrix:

Martin's proposal is to relocate register/genre (text type) from the content plane of language to cultural context and from subsystem/instance type to system.  In terms of SFL theory, this creates inconsistencies in terms of both stratification and instantiation.

In simple terms, Martin's proposal is that varieties/types of language are not language, but the culture that language realises.  This is analogous to proposing that varieties/types of birds are not birds, but something more abstract than birds.

To be clear, in Martin's model, texts cannot be instances of register or genre, since texts are instances of language, not context.

For some of the misunderstandings and inconsistencies in Martin's notion of register, see the 82 clarifying critiques here.
For some of the misunderstandings and inconsistencies in Martin's notion of genre, see the 67 clarifying critiques here.
For some of the misunderstandings and inconsistencies in Martin's notion of context, see the 172 clarifying critiques here.

The absurdities entailed by Martin's stratified context demonstrate that neither Martin nor Bateman  — nor anyone else who uses Martin's model — understands either stratification or instantiation.

[2] To be clear, as previously demonstrated, Martin's model misunderstands and rebrands Halliday & Hasan's non-structural textual lexicogrammar, the systems of cohesion, as structural discourse semantics:

• reference and ellipsis–&–substitution as IDENTIFICATION (textual),
• cohesive conjunction as CONJUNCTION (logical), and
• lexical cohesion as IDEATION (experiential).

[3] To be clear, Martin proposes that the linguistic system is socially situated in (varieties of) the linguistic system (register and genre).

On Macro-Theme, Hyper-Theme, Hyper-New And Macro-New

Bateman (1998: 20):

Martin also proposes here some valuable additions: particularly in the area of text structure, with the text-scale structurings of hyper- and macro-themes and their complementary elements: hyper- and macro-new [see Figure 6.12, p456], and in contrasts between static and process views of texts.

Blogger Comments:

[1] To be clear, Martin's terms are rebrandings of terms from writing pedagogy:

• macro-Theme is a rebranding of introductory paragraph,
• hyper-Theme (a term taken from Daneš and misunderstood) is a rebranding of topic sentence,
• hyper-New is a rebranding of paragraph summary, and
• macro-New is a rebranding of text summary.

This is why writing pedagogues believe "Martin's" ideas are a valuable resource.  However, advising people how to write is not modelling language, and spoken language is not planned and organised on the basis of effective writing strategies.  But these are, by no means, the only problems.

For some of the misunderstandings and inconsistencies in the notion of macro-Theme see the 16 clarifying critiques here.
For some of the misunderstandings and inconsistencies in the notion of hyper-Theme see the 16 clarifying critiques here.
For some of the misunderstandings and inconsistencies in the notion of hyper-New see the 8 clarifying critiques here.
For some of the misunderstandings and inconsistencies in the notion of macro-New see the 11 clarifying critiques here.

[2] To be clear, Martin's "contrasts between static and process views of texts" essentially confuse syntagmatic realisation ("static") with the process of instantiation in logogenesis ("dynamic").  This misunderstanding pervades Martin's text; see, for example:

• Confusing Instantiation With The Syntagmatic Axis
• Confusing Instantiation With Axial And Stratal Realisation
• Confusing Semantic Relations With Logogenesis
• A False Conclusion Invalidly Argued From False Premises
• Misrepresenting Martin (1992)

On Modal Responsibility

Bateman (1998: 20):

The selection of Subjects in a text, however, is also not devoid of textual consequences. Those message parts selected as Subjects serve to construct the ‘modal responsibility’ attributed by a text, and both of these interact with particular patterns of conjunctive relations, of lexical chains, and of modalities and appraisals. Working through the examples given in this chapter is a very good way of getting a clearer sense of the work done by the descriptions presented in the previous chapters.

Blogger Comments:

[1] To be clear, it is the selection of Theme — conflated with Subject or another function — that has textual "consequences".

[2] To be clear, Martin's 'message part' is an experiential unit, whereas Subject is an interpersonal function.

[3] To be clear, modal responsibility is the function of the Subject of a clause as theorised by Halliday (1985: 76).  For some of Martin's misunderstandings of Halliday's concept of modal responsibility, see the 19 clarifying critiques here.  For some of Martin's misunderstandings of Subject, see the 13 clarifying critiques here.

[4] To be clear, there is nothing on appraisal in Martin (1992) — which is hardly surprising, given that Appraisal Theory only emerged as an integrated theory later in the PhD research of Peter White.  For some of Martin's misunderstandings of Appraisal Theory, see the 52 clarifying critiques here.

[5] Working through the examples in this chapter should have alerted Bateman to the problems in this chapter (as well as those of previous chapters).  For some of the misunderstandings that undermine the theoretical validity of this chapter, see the 121 clarifying critiques here.