On CONJUNCTION And The Relationship Between Genre, Register And The Linguistic System

Bateman (1998: 25-6):

For all its complexity, I have used chapters of the book with few problems with students of varying experience — including those new to linguistics; I have also used positions in the book as the starting point for further linguistic research (particularly in the area of CONJUNCTION: cf. Bateman and Rondhuis, 1996) and for the design of computational models of the generation of texts (particularly here the relationship between genre, register and the linguistic system: cf. Bateman and Teich, 1995). Each such investigation has drawn close attention to areas where the proposals of English Text may need to be extended, refined, and perhaps changed; but without the starting point provided by English Text that work would not have been possible.

Blogger Comments:

[1] As set out in great detail here, Martin's logical discourse semantic system of CONJUNCTION is a confusion of two of Halliday's lexicogrammatical systems:

• expansion manifested as cohesive conjunction (textual metafunction), and
• expansion manifested as relations between units in complexes (logical metafunction).

Moreover, Martin creates (non-metaphorical) mismatches between semantics and grammar by

• not organising his system on the basis of the three most general types of expansion, elaboration, extension and enhancement,
• misunderstanding and misapplying types of expansion, especially concession,
• misunderstanding the distinction between internal and external expansion relation, and
• omitting projection entirely from the logical potential of discourse semantics.

[2] As set out in great detail here, Martin misunderstands "the relationship between genre, register and the language system".  For example, Martin

• misunderstands varieties of language (register/genre) as culture instead of language,
• misunderstands cultural dimensions (field/tenor/mode) as register dimensions,
• misunderstands sub-systems (register/genre) as systems,
• misunderstands two perspectives on the same phenomenon (register/genre) as different levels of symbolic abstraction (strata),
• misunderstands genre as more abstract than the cultural dimensions (field/tenor/mode) realised by language, and
• misunderstands instances of context (situations) as instances of language (texts).

In SFL theory, register and genre (text type) are two perspectives on the one point of variation of linguistic content on the cline of instantiation, midway between system and instance:

On Required Extensions Of Genre Theory

Bateman (1998: 21):

Martin himself draws attention to some of the ways in which the theory will have to be extended, including the move from genre ‘agnation’ (i.e., organisation into system networks) to genre topology, and the tension between synoptic (language as product) and dynamic accounts.

Blogger Comments:

[1] On the one hand, this misunderstands genre agnation, since genre agnation is concerned with systemic relations between genres in a genre taxonomy, not with agnation in system networks that model genre as potential.  On the other hand, this is misleading, since Martin provides neither a taxonomy of genres nor a system network of genre potential to "move from" in extending the theory.

[2] To be clear, a genre topology would represent the degrees of relatedness between different genres.  In SFL theory, where genre means text type — that is: register viewed from the instance pole of the cline of instantiation — the degree of relatedness between text types is measured by the relative frequencies of shared semantic and lexicogrammatical features.

[3] As previously demonstrated, Martin misunderstands the synoptic vs dynamic distinction, with  his 'synoptic' corresponding to syntagmatic structure and his 'dynamic' to instantiation in logogenesis.  In relation to genre, this distinction arises in his application of metafunctional structure types — particle, prosody and wave — to genre (pp548-60), despite the fact that his genre, contrary to SFL theory, is not theorised on the basis of the three metafunctions.

Endorsing Martin's Model Of Context By Means Of A Logical Fallacy

Bateman (1998: 21):

The stratified model of context argued for by Martin in this chapter has now been extensively applied in a range of social contexts, ranging across the original areas of application in education to various institutionalised discourse situations. Some of the more recent work building on the approach is given in Christie and Martin (1997). This work shows that, although the formulation of accounts of genre may have now moved on in various directions, and the original model may have been subject to criticism from several perspectives, this does little to detract from the scope and perspective found in Chapter 7. It is only with the kind of explicit modelling and interrelationships posited in the chapter—no matter how the phenomena addressed come eventually to be modelled—that any attempt to understand the social functions of language can really be made.

Blogger Comments:

[1] As an argument for the validity of Martin's misunderstanding of context as varieties of language (register/genre) and coding orientations ("ideology"), Bateman here deploys the logical fallacy known as argumentum ad populum, which concludes that a proposition must be true because many or most people believe it.

[2] To be clear, these "social contexts" in which Martin's model has been used are, on Martin's model, those of ideology, genre and register.

[3] To be clear, criticisms from perspectives such as theoretical consistency and internal consistency do much "to detract from the scope and perspective found in Chapter 7".

[4] To be clear, in terms of explicitness, Martin provides no system networks for either genre or ideology, and none of his networks include realisation statements that specify structure at their own level, or preselected features at the stratum below.

In terms of interrelatedness, Martin misunderstands the principle of stratification (evidence here), and misunderstands the realisational relation between strata (evidence here).

On Bakhtin, Genre And Stratified Context

Bateman (1998: 21):

Explicit reference is made at the outset of the chapter [p494] to the very compatible work of Bakhtin (e.g,. 1986). However, combined with the previous chapters on discourse semantics and the presumption of an explicit and extensive lexicogrammar, the model of genre presented in this chapter certainly goes beyond any other account proposed previously in terms of its linguistic basis and ability both to draw linguistic consequences from the abstract descriptions of register, genre and ideology and, conversely, to use linguistic data to motivate such abstract descriptions.

Blogger Comments:

[1] What Bateman neglects to tell the reader here is that Martin misunderstands the work of Bakhtin; see, for example:

• Misunderstanding Bakhtin's 'Dialogic' And 'Heteroglossic'
• Misconstruing Heteroglossia And Dialogism As System And Process
• Misunderstanding Semantic Variation And Bakhtin

[2] To be clear, the significant previous work on genre is Martin's source, Hasan, who models genre in terms consistent with SFL theory.  Moreover, Martin misunderstands Hasan's (1989: 64) Generic Structure Potential, which models semantic structure of specific genres, as the structure realising a system of genre (misunderstood as culture instead of language).

[3] As previously explained, Martin's context — stratified as register, genre and ideology — is theorised on the basis of fundamental misunderstandings of SFL theory, and, as such, is riddled with internal inconsistencies.  See also, for example:

• Why The Argument For Register And Genre As Context Strata Is Invalid
• Why The Argument For A Stratum Of Ideology Is Invalid

On Martin's Register And Ideology

Bateman (1998: 21):

Networks are set out for each of the three main metafunctional regions of register — ‘mode’, ‘tenor’ and ‘field’ — and collections of lexicogrammatical realisations for these alternatives are also proposed. This provides a ‘semiotic’ view on context and context’s construction of many aspects of our reality and provides the ground for the book’s concluding sections on the stratum of ideology, again construed semiotically as a means of relating distinct genres and their use across a culture.

Blogger Comments:

[1] To be clear, in SFL theory, mode, tenor and field are the metafunctional dimensions of the culture as semiotic system.  These systems of culture are realised in the systems of language.  Different registers of language realise different configurations of features of these systems of culture.  As previously explained, Martin confuses these systems of culture (context) with the sub-systems of the language that realise them (registers).

[2] This is misleading.  On the one hand, even on Martin's model, systems of mode, tenor and field should specify realisations in discourse semantics, not lexicogrammar, and on the other hand, not one of Martin's "register" networks features any realisation statements, discourse semantic or otherwise.

[3] Here Bateman is accepting Martin's claim without question.  Context was conceived by Halliday as a semiotic system.  Martin, however, repeatedly misinterprets Halliday's context as material; see, for example:

• Confusing Context With Co-Text And Material Setting
• Confusing Material Setting And Context Of Situation
• Misunderstanding Orders Of Experience
• Misconstruing Context As Language And Material Setting Instead Of Culture
• Blurring Context And Material Setting
• Blurring Distinctions
• Self-Contradiction
• Confusing Orders Of Experience

[4] Here Bateman confuses the construal of experience as ideational meaning ("reality") with the culture construed by the linguistic system (context).

[5] Here Bateman fails to notice that Martin misinterprets Bernstein's coding orientation as ideology.  See, for example:

• Preparing To Misconstrue Bernstein's Codes As Ideology
• Misconstruing Bernstein's Coding Orientation As Ideology
• Discursive Power And The Evolutionarily Necessary Resolution Of Semiotic Tension Through Dynamic Openness
• Addressing "The Central Problem In Marxist Theory" By Adding A More Abstract Level
• Why The Argument For A Stratum Of Ideology Is Invalid

On Modelling Context As Register And Genre

Bateman (1998: 20-1):

Finally, in Chapter 7 [pp493-590], Martin presents in detail the motivations for the proposal set out in, for example, Martin (1985) and Ventola (1988) that ‘context’ best be modelled as consisting of two distinct strata: register and genre. Both of these are then realised in the less abstract ‘plane’ of language consisting, as we have seen, of three strata: discourse semantics, lexicogrammar, and phonology. The chapter thus draws together results from many years of inquiry into the social situatedness of the linguistic system and the detail and examples given serve as a very useful introduction to the area and its points of debate.

Blogger Comments:

[1] To be clear, not just in SFL theory, 'register' refers to a functional variety of language, and 'genre' refers to a type of text.  In SFL, these are theorised as two views on the same phenomenon:

• language as register is language as genre (text type) viewed from the system pole of the cline of instantiation, whereas
• language as genre (text type) is language as register viewed from the instance pole of the cline of instantiation.

The place of register/genre (text type) in the architecture of SFL theory is identified in the following matrix:

Martin's proposal is to relocate register/genre (text type) from the content plane of language to cultural context and from subsystem/instance type to system.  In terms of SFL theory, this creates inconsistencies in terms of both stratification and instantiation.

In simple terms, Martin's proposal is that varieties/types of language are not language, but the culture that language realises.  This is analogous to proposing that varieties/types of birds are not birds, but something more abstract than birds.

To be clear, in Martin's model, texts cannot be instances of register or genre, since texts are instances of language, not context.

For some of the misunderstandings and inconsistencies in Martin's notion of register, see the 82 clarifying critiques here.
For some of the misunderstandings and inconsistencies in Martin's notion of genre, see the 67 clarifying critiques here.
For some of the misunderstandings and inconsistencies in Martin's notion of context, see the 172 clarifying critiques here.

The absurdities entailed by Martin's stratified context demonstrate that neither Martin nor Bateman  — nor anyone else who uses Martin's model — understands either stratification or instantiation.

[2] To be clear, as previously demonstrated, Martin's model misunderstands and rebrands Halliday & Hasan's non-structural textual lexicogrammar, the systems of cohesion, as structural discourse semantics:

• reference and ellipsis–&–substitution as IDENTIFICATION (textual),
• cohesive conjunction as CONJUNCTION (logical), and
• lexical cohesion as IDEATION (experiential).

[3] To be clear, Martin proposes that the linguistic system is socially situated in (varieties of) the linguistic system (register and genre).

On Martin's 'Synoptic Vs Dynamic' Distinction

Bateman (1998: 8):

There is also an important difference with respect to the status of text as ‘product’ or as ‘process’. Of the regions discussed only NEGOTIATION has a significantly developed ‘static’ component — hence the multivariate structure adopted for exchanges. The remainder are more dynamic and concerned with the unfolding of texts, giving a very different flavour to the discourse structures used. The dynamic aspect is also taken up at some length in the discussion of genre [pp550–557]. Reconciliation of these differing perspectives and structures remains an exciting area for future work, just as it does for lexicogrammar.

Blogger Comments:

[1] Here Bateman's wording conceals Martin's confusion of the realisation of system as (synoptic) structure with the (dynamic) instantiation of the system in logogenesis.  See for example:

• Confusing Realisation And Instantiantion
• Misconstruing Realisation And Instantiation

[2] This is misleading.  The difference lies in the different intellectual sources of Martin's theorising.  The system of NEGOTIATION is taken from the previous work of colleagues on (structural) interpersonal semantics, whereas the systems of IDENTIFICATION, CONJUNCTION and IDEATION are taken from the previous work of colleagues on (non-structural) textual lexicogrammar.

[3] This is misleading.  The discussion of 'dynamic perspectives' on genre is very brief (three paragraphs), and does little more than refer to Ventola's flowchart of a service encounter (Figure 7.22, pp554-5).

On Chapters 6 & 7 Of Martin's 'English Text'

Bateman (1998: 2):

Then, the final part, consisting of chapters 6 and 7, considers some significant and highly suggestive issues that arise when relating distinct levels of description.  Chapter 6 shows some of the ways in which options selected from phonology, lexicogrammar and discourse semantics are woven together systematically to create and enhance a text’s texture and Chapter 7 closes the book with an extended consideration of the placement of the entire linguistic system discussed in the previous six chapters within its social context and situation of use. This latter chapter raises important issues concerning the definition and interconnections of text types, genres, registerial selections and ideology.

Blogger Comments:

The positive appreciation here (significant, important) is entirely unjustified by the quality of the theorising under review.

[1] In SFL theory, the relation between levels of description is one of realisation, which is an intensive identifying relation between two levels of symbolic abstraction.  Chapters 6 and 7 of Martin (1992) are inconsistent with this stratal model because Martin mistakes the strata along this dimension for "interacting modules" (p390).  This fundamental misunderstanding invalidates the basis of the theorisation in chapters 6 and 7, and leads to deep and widespread theoretical inconsistencies, as demonstrated here (chapter 6) and here (chapter 7).

[2] Chapter 6 of Martin (1992) takes cohesive harmony (Hasan 1985), modal responsibility (Halliday 1985) and method of development and point (Fries 1981), misunderstands each — see cohesive harmony, modal responsibility, method of development, point — and reconstrues them as "interaction patterns" (p393) between strata (misconceived as modules).  Much of the chapter confuses writing pedagogy with linguistic theory, rebranding the terms 'introductory paragraph', 'topic sentence', 'paragraph summary' and 'text summary' as 'macro-Theme', 'hyper-Theme', 'hyper-New' and 'macro-New', respectively.  This also involves misunderstanding the original notion of hyper-Theme (Daneš 1974).

[3] Martin (1992: 384, 393) misconstrues the lexicogrammatical system of information (content plane) as phonology (expression plane).  For Martin's misunderstandings and false claims about phonology, see the critiques here.

[4] In SFL theory, the term 'texture' refers to the quality of being a text (Halliday & Hasan 1976: 2), which is achieved through the textual metafunction, not through interaction patterns between stratal modules across various metafunctions — each of the latter also misconceived by Martin as a module.

[5] Martin's model of social context is misconstrued as language varieties, misconstrued as modules; see [6] below.  In SFL theory, context is construed as the culture as a semiotic system.

[6] Chapter 7 of Martin (1992) takes register (Halliday) and genre (Hasan) and misconstrues them as strata of context (each misconstrued as a module) as opposed to language.  That is, it takes functional varieties of language, and models them as more abstract than language.  This is analogous to claiming that lorikeets are not varieties of bird — and so, not even birds — but are more symbolically abstract than birds.

In SFL theory, register and genre are two views of the same phenomenon, located as a midway point on the cline of instantiation, with register the view from the system pole, and genre the view from the instance pole.