On Martin's Model And Critical Discourse Analysis

Bateman (1998: 21):

And, even if the reader is not yet ready to follow Martin’s proposal that English Text is to be read “(in part) in the context of projects oriented to de-naturalising hegemonic discourses and, ..., facilitating intervention in the political process’’[p2], one essential lesson that remains is that socially, culturally, and ideologically informed discussions should, and now can, be linguistically responsible. No critical discourse can really stand without such a model in place. It should in fact no longer be acceptable for such discussions to omit linguistic detail; any such omission compromises the exactitude of the discussion and raises the likelihood that what is being discussed is more opinion than empirical result. This should also have substantial pedagogical implications within discourse theory and critical discourse. Without proficiency in the tools necessary to become linguistically responsible, an analysis cannot aim at being so. Blunt tools yield rough analyses.

Blogger Comments:

To be clear, as demonstrated in great detail here, Martin's discourse semantics is largely Halliday & Hasan's lexicogrammatical cohesion, misunderstood, rebranded and relocated to his module of discourse semantics.  Martin's context consists of language varieties, register and genre — misunderstood as different levels of symbolic abstraction — and ideology misunderstood as Bernstein's coding orientations.  For these reasons, and more, the tools Martin provides for discourse analysis are  demonstrably "without proficiency" and "blunt".

To be clear, it is the source of Martin's discourse semantics, Halliday's model of lexicogrammar, that provides the tools of "linguistically responsible" text analysis.  As Halliday (1985: xvi-xvii) argues:

The current preoccupation is with discourse analysis, or 'text linguistics'; and it has sometimes been assumed that this can be carried on without grammar — or even that it is somehow an alternative to grammar.  But this is an illusion.  A discourse analysis that is not based on grammar is not an analysis at all, but simply a running commentary on a text … the exercise remains a private one in which one explanation is as good or as bad as another.

A text is a semantic unit, not a grammatical one.  But meanings are realised through wordings; and without a theory of wordings — that is, a grammar — there is no way of making explicit one's interpretation of the meaning of a text.

On Required Extensions Of Genre Theory

Bateman (1998: 21):

Martin himself draws attention to some of the ways in which the theory will have to be extended, including the move from genre ‘agnation’ (i.e., organisation into system networks) to genre topology, and the tension between synoptic (language as product) and dynamic accounts.

Blogger Comments:

[1] On the one hand, this misunderstands genre agnation, since genre agnation is concerned with systemic relations between genres in a genre taxonomy, not with agnation in system networks that model genre as potential.  On the other hand, this is misleading, since Martin provides neither a taxonomy of genres nor a system network of genre potential to "move from" in extending the theory.

[2] To be clear, a genre topology would represent the degrees of relatedness between different genres.  In SFL theory, where genre means text type — that is: register viewed from the instance pole of the cline of instantiation — the degree of relatedness between text types is measured by the relative frequencies of shared semantic and lexicogrammatical features.

[3] As previously demonstrated, Martin misunderstands the synoptic vs dynamic distinction, with  his 'synoptic' corresponding to syntagmatic structure and his 'dynamic' to instantiation in logogenesis.  In relation to genre, this distinction arises in his application of metafunctional structure types — particle, prosody and wave — to genre (pp548-60), despite the fact that his genre, contrary to SFL theory, is not theorised on the basis of the three metafunctions.

Endorsing Martin's Model Of Context By Means Of A Logical Fallacy

Bateman (1998: 21):

The stratified model of context argued for by Martin in this chapter has now been extensively applied in a range of social contexts, ranging across the original areas of application in education to various institutionalised discourse situations. Some of the more recent work building on the approach is given in Christie and Martin (1997). This work shows that, although the formulation of accounts of genre may have now moved on in various directions, and the original model may have been subject to criticism from several perspectives, this does little to detract from the scope and perspective found in Chapter 7. It is only with the kind of explicit modelling and interrelationships posited in the chapter—no matter how the phenomena addressed come eventually to be modelled—that any attempt to understand the social functions of language can really be made.

Blogger Comments:

[1] As an argument for the validity of Martin's misunderstanding of context as varieties of language (register/genre) and coding orientations ("ideology"), Bateman here deploys the logical fallacy known as argumentum ad populum, which concludes that a proposition must be true because many or most people believe it.

[2] To be clear, these "social contexts" in which Martin's model has been used are, on Martin's model, those of ideology, genre and register.

[3] To be clear, criticisms from perspectives such as theoretical consistency and internal consistency do much "to detract from the scope and perspective found in Chapter 7".

[4] To be clear, in terms of explicitness, Martin provides no system networks for either genre or ideology, and none of his networks include realisation statements that specify structure at their own level, or preselected features at the stratum below.

In terms of interrelatedness, Martin misunderstands the principle of stratification (evidence here), and misunderstands the realisational relation between strata (evidence here).

On Bakhtin, Genre And Stratified Context

Bateman (1998: 21):

Explicit reference is made at the outset of the chapter [p494] to the very compatible work of Bakhtin (e.g,. 1986). However, combined with the previous chapters on discourse semantics and the presumption of an explicit and extensive lexicogrammar, the model of genre presented in this chapter certainly goes beyond any other account proposed previously in terms of its linguistic basis and ability both to draw linguistic consequences from the abstract descriptions of register, genre and ideology and, conversely, to use linguistic data to motivate such abstract descriptions.

Blogger Comments:

[1] What Bateman neglects to tell the reader here is that Martin misunderstands the work of Bakhtin; see, for example:

• Misunderstanding Bakhtin's 'Dialogic' And 'Heteroglossic'
• Misconstruing Heteroglossia And Dialogism As System And Process
• Misunderstanding Semantic Variation And Bakhtin

[2] To be clear, the significant previous work on genre is Martin's source, Hasan, who models genre in terms consistent with SFL theory.  Moreover, Martin misunderstands Hasan's (1989: 64) Generic Structure Potential, which models semantic structure of specific genres, as the structure realising a system of genre (misunderstood as culture instead of language).

[3] As previously explained, Martin's context — stratified as register, genre and ideology — is theorised on the basis of fundamental misunderstandings of SFL theory, and, as such, is riddled with internal inconsistencies.  See also, for example:

• Why The Argument For Register And Genre As Context Strata Is Invalid
• Why The Argument For A Stratum Of Ideology Is Invalid