On Chapters 6 & 7 Of Martin's 'English Text'

Bateman (1998: 2):

Then, the final part, consisting of chapters 6 and 7, considers some significant and highly suggestive issues that arise when relating distinct levels of description.  Chapter 6 shows some of the ways in which options selected from phonology, lexicogrammar and discourse semantics are woven together systematically to create and enhance a text’s texture and Chapter 7 closes the book with an extended consideration of the placement of the entire linguistic system discussed in the previous six chapters within its social context and situation of use. This latter chapter raises important issues concerning the definition and interconnections of text types, genres, registerial selections and ideology.

Blogger Comments:

The positive appreciation here (significant, important) is entirely unjustified by the quality of the theorising under review.

[1] In SFL theory, the relation between levels of description is one of realisation, which is an intensive identifying relation between two levels of symbolic abstraction.  Chapters 6 and 7 of Martin (1992) are inconsistent with this stratal model because Martin mistakes the strata along this dimension for "interacting modules" (p390).  This fundamental misunderstanding invalidates the basis of the theorisation in chapters 6 and 7, and leads to deep and widespread theoretical inconsistencies, as demonstrated here (chapter 6) and here (chapter 7).

[2] Chapter 6 of Martin (1992) takes cohesive harmony (Hasan 1985), modal responsibility (Halliday 1985) and method of development and point (Fries 1981), misunderstands each — see cohesive harmony, modal responsibility, method of development, point — and reconstrues them as "interaction patterns" (p393) between strata (misconceived as modules).  Much of the chapter confuses writing pedagogy with linguistic theory, rebranding the terms 'introductory paragraph', 'topic sentence', 'paragraph summary' and 'text summary' as 'macro-Theme', 'hyper-Theme', 'hyper-New' and 'macro-New', respectively.  This also involves misunderstanding the original notion of hyper-Theme (Daneš 1974).

[3] Martin (1992: 384, 393) misconstrues the lexicogrammatical system of information (content plane) as phonology (expression plane).  For Martin's misunderstandings and false claims about phonology, see the critiques here.

[4] In SFL theory, the term 'texture' refers to the quality of being a text (Halliday & Hasan 1976: 2), which is achieved through the textual metafunction, not through interaction patterns between stratal modules across various metafunctions — each of the latter also misconceived by Martin as a module.

[5] Martin's model of social context is misconstrued as language varieties, misconstrued as modules; see [6] below.  In SFL theory, context is construed as the culture as a semiotic system.

[6] Chapter 7 of Martin (1992) takes register (Halliday) and genre (Hasan) and misconstrues them as strata of context (each misconstrued as a module) as opposed to language.  That is, it takes functional varieties of language, and models them as more abstract than language.  This is analogous to claiming that lorikeets are not varieties of bird — and so, not even birds — but are more symbolically abstract than birds.

In SFL theory, register and genre are two views of the same phenomenon, located as a midway point on the cline of instantiation, with register the view from the system pole, and genre the view from the instance pole.